The film also gets very talk-heavy at this point. The sequences are lengthy, besides being predictable, and the story is stretched to such an extent that the viewer starts getting impatient.
The story moves at a smooth pace till Hrithik learns the truth in the church (the interval point!).īut, unfortunately, the film dips completely in the second half. The communication between Hrithik and Rani and also the scenes when Hrithik returns to Shimla, can be singled out. The first half has a few interesting moments. Besides the goings-on being humdrum, there're hardly any memorable moments (unlike Yashraj Films previous ventures!) that the viewer carries home after the show ends. What could've been an interesting love story of two friends falling in love with the same guy, loses out due to the predictability in the script. And that's where it suffers, for there's nothing novel or innovative whatsoever that MUJHSE DOSTI KAROGE could boast of. Director Kunal Kohli, who has been credited with the story, screenplay and dialogues of the film, has chosen the easy way out by borrowing from successful films. A wee bit of K3G too� That sums up MUJHSE DOSTI KAROGE, which is as fresh as last month's newspapers.Ī 'khichdi' of several films, MUJHSE DOSTI KAROGE suffers primarily in that one vital department that is the lifeline of any film � script. Of course, there's a glimpse of HUM AAPKE HAIN KOUN as well. A bit of Hollywood flick THE TRUTH ABOUT CATS AND DOGS.
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